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GELENEKSEL ÇALGI ORKESTRALARINDA MODERNLEŞMENİN İZLERİ: ‘BALALAYKA TOPLULUĞU’NDAN ‘KEMENÇE BEŞLEMESİ’ VE ‘GADULKA AİLESİNE’̇, 231-246
TRACES OF MODERNIZATION IN TRADITIONAL INSTRUMENT ORCHESTRAS FROM ‘BALALAIKA ENSEMBLE’ TO ‘KEMENCHE QUINTET’ AND ‘GADULKA FAMILY’
http://dx.doi.org/10.29228/JASSS.40462
Gözde ÇOLAKOĞLU SARI
Abstract
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OSMANLI- TÜRK MÜZİĞİ KİMLİĞİNİN OLUŞMASINI DESTEKLEYEN ALT YAPI: İSTANBUL VE SARAẎ, 251-260
THE FOUNDING SUPPORT FOR THE FORMATION OF THE OTTOMAN TURKISH MUSIC: ISTANBUL AND THE COURT
http://dx.doi.org/10.9761/JASSS8045
Gözde ÇOLAKOĞLU SARI
Abstract
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ASYA’DAN AVRUPA’YA YAYLI ÇALGILAR TEL ÜZERİNDE SES ELDE ETME TEKNİĞİNE GÖRE SINIFLANDIRMȦ, 35-50
THE BOWED INSTRUMENTS FROM ASIA TO EUROPE A CLASSIFICATION BASED ON PRODUCING SOUND ON THE STRING
Gözde ÇOLAKOĞLU SARI
Abstract
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KÜLTÜREL KİMLİĞİN GİRİT’TEKİ ÜÇ SEMBOLÜ: LİRA-LAVTA ve DANṠ, 855-866
THREE SEMBOLS of CULTURAL IDENTITY in CRETE: LYRA, LUTE and DANCE
http://dx.doi.org/10.9761/JASSS849
Gözde ÇOLAKOĞLU SARI
Abstract
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