The information is obtained by the subject in order to make the external conditions appropriate, such as seeing, hearing, understanding, recognizing and solving the object. The subject that is informed about the object can now change using this information. Scientific and artistic knowledge is obtained from the relationship between the subject and the object, but we must say that artistic knowledge has a subjective character compared to scientific knowledge. Scientific knowledge ends in the researcher's effort, with different researchers reaching the same information about the same object. The artistic knowledge process is intuitive rather than experimental. The relationship between art and the artist and the way they express this relationship has over the centuries. The object is perceived, grasped by the artist. And during this process of perception, different emotions and ultimately aesthetic excitement arouse in the artist. At the end this process, aesthetic judgment-aesthetic entity emerges. When we specify this process, we define the process of creation an aesthetic event by the artist and artwork with such a relationship as the process of artistic creation. In this article, the relationship between the state of perception of the object and its aesthetic object-subject will be emphasized in all and beyond the spiritual, organic or inorganic layers of its existence. In the process of artistic expression that develops as a result of these relations, the states of the object and the subject will be discussed. In addition to these evaluations, the abstraktion and einfühlung events between the human and the work of art will be also discussed.
Object, Subject, Artistic Creation, Abstraktion, Einfühlung